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Remember alt-country? 6 String Drag was in the thick of it with its Stax ’n’ tonk swagger and highline harmonies, and seemed poised to be a bright light after making one of the whatever-that-is genre’s standout entries, 1997’s “High Hat.” After that, the band seemingly dropped off the face of the earth.
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Tillman, who had released a handful of solo albums and played drums with Fleet Foxes, finally broke out with 2012’s “Fear Fun.” The two released tracks from his forthcoming “I Love You, Honeybear” are polar opposites - the majestic “Chateau Lobby #4 (in C for Two Virgins),” the stark piano ballad “Bored in the USA” - but intriguing snapshots of where Tillman is taking Father John. Tillman’s songs are rooted in storytelling but gussied up in spectral arrangements and the inherent romance of his croon. 3) J.R.Īs Father John Misty, Josh Tillman is a cosmic cowboy in the grand tradition of Gram Parsons, Harry Nilsson, and Lee Hazlewood. The 66-year-old is by no means new to music - he composed and performed the chilling theme to “Halloween” - but this instrumental collection is considered his proper debut album. Set for release on Sacred Bones Records, which also puts out Lynch’s albums, “Lost Themes” pulses to electronic beats both menacing and suspenseful, not unlike Carpenter’s films (“Halloween,” “The Fog”).
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Taking a cue from fellow director David Lynch, who began releasing albums under his own name a few years ago, Carpenter is about to become more known for his musical chops. The album mixes chamber-music intricacy, improvisational flash, lump-in-throat balladry, and a puckish Debussy cover T Bone Burnett’s canny production simultaneously captures the band’s woodsy caress and enhances its emotional impact. Love in the time of iPhone - how direct connections are formed and preserved in a digitally mediated age - is the thematic heart of the latest album by mandolin genius Chris Thile and his virtuoso homeboys. Hopefully he also doubles down on his specialty, the narrative love song. The large guest list includes T.I., Jeezy, Schoolboy Q, Pitbull, and Juicy J. Ne-Yo, among R&B’s finest songwriters and smoothest performers, finally releases his long delayed sixth studio effort, seemingly geared toward crossover success.
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27)Īfter decades out of the limelight, LaVette came back to the world’s attention in ferocious fashion with her superb 2005 record, “I’ve Got My Own Hell to Raise.” Her upcoming release finds her once again collaborating with Joe Henry, who was in the producer’s seat for her 2005 return, and applying her singular interpretive gifts to another eclectic batch of songs from the likes of Jagger and Richards, Lennon and McCartney, Dylan, Mickey Newbury, and Mary Gauthier. It’s a self-described “soul-revue type record” that features songs old and new, recorded live in studio, one song a day over a two-week period, by Kelly, his touring touring band, and a revolving cast of lead singers.
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13) JAMES REEDĪ national icon in his native Australia who also happens to be one of the world’s finest singer-songwriters, Paul Kelly offers a bit of a change-up on his new record - no surprise from an artist whose catalog is full of them. (The younger Earle would follow in Dad’s footsteps, too.) “Absent Fathers” was recorded in the same sessions for its predecessor, but Earle felt like he had made two separate albums. The country singer-songwriter knows plenty about the subject matter: His single mother mostly raised him while his father, alt-country renegade Steve Earle, struggled to kick drugs and get his life back on track. “Absent Fathers” completes a poignant song cycle about the messy nature of family dynamics. (Early 2015) KEN CAPOBIANCOĪ bookend to September’s “Single Mothers,” Earle’s latest is the other side of the coin. The mercurial rapper has debuted two songs, the well-received, Isley Brothers sampling “i,” and a dazzling, determined untitled track he performed on “The Colbert Report.” Lamar is poised for a banner year some reports claim his sophomore set could be imminent, possibly with a Beyoncé-like stealth launch. city,” but if any artist is up to the challenge, it’s Lamar. The Los Angeles-based MC has the daunting task of following up his critically and commercially successful “good kid, m.A.A.d.